When the Applause Faded, Sāhir Ludhiānavi Remained
When the lights dimmed and the final note dissolved into silence on the night of 16 January, I believed it was over. The third show. The final bow. A fitting finale in Lucknow to Sāhir: Har Ik Pal Ka Shayar . Perhaps even an epilogue, a narrative closure arrived at with dignity and grace. What followed was the familiar ritual. Smiles. Handshakes. Photographs. Selfies. That pleasant, aching exhaustion which comes only after something honestly given. And knowing Sāhir as I have come to know him, I half expected him to murmur, with his customary irony, “Bas, ab itna hi tha (Here it ends, that is it). ” But Sāhir did not leave. He stayed in the softened gaze of an audience unwilling to rise from their seats, as though one careless step beyond the Sant Gadge Auditorium might fracture the spell the evening had cast. He lingered in the silent embraces backstage, where costumes were shed but emotions were not, where words were unnecessary because feeling had already spoken. And he res...